These impressive little cakes feature a fluffy blueberry mascarpone mousse surrounding a half-dome of intense blueberry gelée, with a layer of soft almond sponge cake and a gorgeously shiny mirror glaze to top it all off.
These little cakes might be small, but they are immensely impressive, mainly due to the perfectly shiny layer of vibrant purple mirror glaze that enrobes them. It’s a pretty time-consuming process, but split over a few days it is more than manageable.
I’ve had a set of silicone half-sphere molds for over 3 years now, having picked them up at E.Dehillerin in Paris. I used the mini size for truffles once, but otherwise they’ve just been sitting in the cabinet, waiting to be used. (I also picked up a set of cool but completely impractical triangle cake pans which I haven’t found a use for yet either.)
So when I found myself facing two tubs full of freshly-picked blueberries, making a fancy blueberry dessert worthy of a Parisian pastry shop seemed like just the ticket.
In my experience (and by experience I mean eating fancy desserts in every city I visit) I’ve learned that the fancier the dessert, the more layers it is likely to have. If you want to pretend to be a pro pastry chef, you need at least 4 different concoctions making up a single dessert. Yes, it takes some time to make and assemble all these different components (these cakes pretty much devoured an entire weekend before I devoured them) but the final result, as I think you’ll agree, is well worth it.
In technical terms, this is called an entremet cake, or a multi-layered mousse-based cake with various complementary flavors and textures. The recipe itself is quite similar to the Sakura Matcha Mousse cake I made this spring, with an airy mascarpone mousse and a tender sponge cake as the base.
Here I went with a subtle almond-scented cake, with a blueberry mousse and then a center of intense blueberry gelée (aka fancy jello) to really max out the blueberry flavor. But where it really gets fancy is the glaze – a luscious mirror glaze that gets its name from the gorgeous mirror-like sheen.
Now, my cakes certainly are not perfect by any means. This whole mirror glaze thing is definitely a technique that one needs to master, although it’s still pretty darn cool even when it’s less than perfect.
I’ve made lots of notes for myself about how I can improve things next time (like adding some sort of decorative edging to the base, like coconut or sprinkles, to hide the mess down there). I’m also not too keen on the transition from the mousse to the cake not being perfectly smooth, and feel it might work better to have the cake layer smaller and down inside the mousse rather than sitting on top of it.
And my attempt at a swirled glaze effect? My two tone purples weren’t different enough and so you can’t really tell there are two colors at all. Note to self: next time, make the colors more distinct.
If the shiny exterior is impressive, then the cross-section is even cooler!
I played with both half-domes and coins of gelée: the later being easier to make if you don’t happen to have a mini semi-sphere mold. Simply pour your liquid gelée into a baking pan (lined with parchment with a handle overhang for easy removal) or, even better, a silicone cake pan (silicone is gelatin’s best friend). Let set, then cut out circles of the gelée with a cookie cutter. Otherwise, it’s the same process as the half-domes and looks equally cool when bisected.
For these cakes I used sheet gelatin, which I’ve recently discovered and feel is vastly better than the powdered stuff. You’ll need quite a bit of it, 10 1/2 sheets in total for this recipe, as every component but the cake uses gelatin for stability. And the mirror glaze only works because of gelatin. I’ve included notes in the recipe below if you’d like to use powdered gelatin instead (as a general rule, 1 sheet equals one teaspoon of powdered).
The cakes use these small half-dome molds which are about 1 3/4″ in diameter (and the gelée is molded with the mini size). You could also use a larger semi-sphere mold for your cakes (and I admit, these are definitely less than a single serving worth). If you use a different size, just choose an appropriate sized circle cutter so your rounds of cake match the diameter of the molds exactly and you should be good to go.
If you prefer to make a single large cake instead, follow the process used for my Sakura Matcha Mousse cake made in a 6″ cake ring (but a 6″ silicone cake mold or springform pan would work too). The quantities here should be just right for one 6-inch cake.
After freezing overnight, the cakes will pop out of the molds cleanly and easily. Aren’t they precious?
This freezing step is critical – don’t skip it! The cakes need to be completely frozen solid in order to come out of the molds cleanly and offer a solid base for the glaze. I recommend working in batches, glazing half your cakes while the other half chills out in the freezer.
Let’s talk about this mirror glaze (which, you can see in the photo above why it’s called that – you can easily see yours truly reflected in the glaze). It’s something I’ve been wanting to try it ever since I saw Phillip’s mirror glazed cake (in fact, I almost considered bribing him to come over and help me). It is a little bit tricky at first, although I wouldn’t necessarily call it hard, so don’t be daunted by the lengthy instructions. Just read it thoroughly, get your setup right, and you should have no issues whatsoever.
With a mirror glaze the key is the proper temperature. You want it to be around 90 degrees F when you pour it. Any warmer and it won’t make a nice thick layer, any cooler and it won’t flow smoothly enough to fully coat the cake. Mine took around 45 minutes to fully cool. (According to Phillip you can also make the glaze ahead of time, then rewarm it very gently until it reaches the desired 90 degrees).
Arrange your frozen cakes on a lined-sheet pan (trust me, it’ll make cleanup so much easier). Use some small jars or other washable bits to raise the cakes up off the pan. Ideally these bits will be smaller in diameter than the cakes themselves, so the glaze can drip off the edges freely. I used some small 2oz canning jars I had, and then some various small cookie cutters for the second batch.
I also cut out rounds of cardboard from an old bakery box exactly the size of the base of the cakes. This gave the cakes a nice stable base and made them easier to move around. After glazing, ideally I would have had some small cake boards to serve as their final resting place (I just used squares of parchment).
I attempted to create a swirl effect with light and dark purples, but the colors weren’t distinct enough so the swirl sort of gets lost. The purple color is still darn pretty though (and I really think that darker, richer colored mirror glazes are much more striking than pastel ones).
I topped my cakes with a swash of white chocolate (use a small offset spatula to spread some white chocolate or white candy coating on parchment paper, let set then peel off) and a fresh blueberry dusted with iridescent powder.
I think it makes for an artful presentation without too much fuss.
Ok, maybe just a little fuss. :)
In terms of timing, give yourself 3 solid days for this whole process, which makes it much more manageable than tackling it all in one go. Make the blueberry puree and gelée on day 1, the cake and the mousse on day 2, freeze overnight and then glaze them on day 3.
The glazed cakes keep surprisingly well, so you can easily make them a day or two before you plan to serve. Keep them refrigerated if you do make them ahead of time, although I recommend letting them come back to room temperature prior to serving (the mousse’s cloud-like texture really shines when it’s not too cold).
This recipe will make 15 mini 2-inch spheres or equivalent larger cakes, or one larger 6 or 8-inch cake (use a cake pan lined with a piece of acetate or a silicone cake mold to assemble).
* To substitute powdered gelatin, use 1 teaspoon of powdered gelatin per 1 sheet of leaf gelatin called for in this recipe. Instead of softening the gelatin in cold water and then wringing it out, you’ll need to sprinkle the gelatin over a few tablespoons of cool water to allow it to soften, then add the whole mixture to the hot liquid to dissolve.
Mirror glaze adapted from Southern Fatty.
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